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A 66-County Tree

Steve Riedel turned weathered wood gathered from across the state into ornate Christmas ornaments representing every county.

I was stranded at home during the bitter cold winter of 2020-2021 and the isolation that came with the COVID-19 pandemic made matters worse. I desperately needed something to do. My thoughts turned to Christmas at the Capitol. My wife Marietta and I rarely missed the annual festival in which dozens of colorful and brightly illuminated Christmas trees fill the halls of the Capitol in Pierre. I thought,”I wish I could decorate one of those trees.”

My boredom collided with inspiration. What if I made a collection of wooden Christmas ornaments, crafted out of wood gathered from each county in South Dakota, in the hope of displaying them in Pierre? As soon as the weather allowed — and being mindful of social distancing — Marietta and I set out to visit the 66 counties in the state and ask South Dakotans if they would donate a piece or two of old wood.

Asking for our first donation was an anxious moment. I was so nervous that I planned the first stop at the home of acquaintances in Beadle County not far from our home in Huron. We drove into the farmyard and parked in front of the house. Nervously, Marietta asked,”You aren’t really going to walk up there and ask for wood, are you?”

Riedel’s Minnehaha County ornament.

I nodded and walked timidly to the home’s front door, where I found myself talking to both husband and wife.”That’s actually a good idea,” they said, and then gave me directions to two large piles of old wood.”If you don’t find enough wood this time, you can come back for more.” We scoured the piles and left with four posts and a sense of optimism.

I quickly learned that I needed to explain what I meant by”old wood.” While I was merely hoping to collect short pieces of wood that most people would think to be rotten and useless, folks seemed to think I was asking for more. I also learned that people almost universally liked my idea. While I sheepishly laughed at myself when explaining my project, others listened intently and took the idea to heart. Before we finished, people had donated weathered wood from broken fence posts, fallen barns and buildings, cattle corrals, rodeo grounds, original family homesteads, broken telephone poles, horse tack and collapsed bridges.

One rancher plucked several fence posts from a retired manure spreader. Another gave me a horse yoke complete with a double tree. We also came home with a few dozen fresh eggs, though we turned down some turkeys that were free if we butchered them ourselves.

As we traveled door to door, we marveled that people placed such trust in us. We were often sent off on our own, completely trusted on private property. At one farm, I knocked on the door and explained my purpose.”We’d love to help you,” said the gentleman who answered the door,”but I can’t right now. We need to go to town to have our picture taken.” He got in his car and, speaking through his car window, encouraged us to search through his old wood pile.”Take a look around and if you see something that will work, help yourself. If not, there’s more wood behind the barn,” he said as the family drove away.

The more people donated, the more meaningful my ornament project became. People proudly gave us pieces of South Dakota history. We were given the very wood that our ancestors used to build South Dakota. In some cases, I suspect the wood helped build South Dakotans. As a rancher handed me an old fence post, he said,”You can take this. It was hand-split by my grandfather when he was a young man.” His grandfather was former Governor Tom Berry.

Faulk County ornament.

Another elderly donor, while digging through a small collection of posts hiding under a rusty truck fender, came up with a unique piece.”Would this post work? I’ve been saving it forever but don’t know what I will ever do with it.” As it turns out, it was a post he had saved from the World War II era.”We couldn’t get round posts during the war,” he said. Remarkably, the ornament I made with it has two dark holes left behind by a staple driven into it sometime during the war years.

When cold weather did not permit traveling, I worked obsessively at making 66 ornaments. Creating one to represent Lake County was especially meaningful. My ancestors settled there in the 1890s, and I was raised on a homestead established by my grandfather in the early 1900s. I had searched his homestead nine years earlier to find a post to make an ornament that would be our only grandson’s first Christmas ornament. That was one of the first ornaments I ever made. The post I found was comprised of wood with a rich burgundy color. I made Lake County’s ornament from that same post. The wood was so brittle that during my first attempt, it imploded in my lathe. Fortunately, I learned a lighter touch, and I have since made an ornament to give to both my son and daughter from that same old post.

After thousands of miles on the road and as many hours in my workshop, the only question that remained was whether my Christmas at the Capitol wish would come true. Marietta and I summarized the project and our experiences on the road and sent it to the committee in Pierre. Their approval arrived shortly thereafter. I got misty-eyed when I read the news.

The abundance of wood I collected actually allowed me to make more than one ornament from some counties. By the time I was finished, I had crafted finial ornaments, candles, Christmas trees, snowmen, bells, candy canes, Christmas baskets, bird houses … all related to the spirit of Christmas. Some aren’t perfect, but each ornament — like the many South Dakotans we met — is unique.

Editor’s Note: This story is revised from the November/December 2021 issue of South Dakota Magazine. To order a copy or to subscribe, call (800) 456-5117.

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400 Roses

Kristine Reiner’s art career bloomed with the gift of 400 unwanted roses.

Somewhere there’s a young man who probably feels he wasted his money on 400 roses. His investment didn’t have the intended effect — which, of course, was to impress a particular young lady — but the roses have led to a lot of good in South Dakota.

It all began a half-dozen years ago when Kristine Reiner was studying art at the University of Sioux Falls and politely telling a boy that she wasn’t interested. With a final flourish of hope and desperation, he called a Sioux Falls florist and had 400 roses delivered to her. Four hundred divides into 33-and-a-half dozen; her tiny college apartment was red with flowers.

Reiner wasn’t raised to throw things away. She grew up in Canistota, the youngest of three daughters of a single mom. Even though her dad was in prison for drug use and her mom struggled to pay the bills, she remembers her small-town childhood with a smile.”As the youngest, I spent a lot of time alone,” she says. But that gave her time to think and dream and draw. In high school, art teacher William Cavill encouraged her.”He told me I could make a living by being creative. He was the first person to believe in my art.”

With that confidence, she enrolled at USF in 2012 and there she met Ceca Cooper, an art professor known for challenging students on the boundaries between man and nature.”I realized I was there to learn the rules of art so I could break them,” Kristine says. In her senior year in 2016, she was seeking inspiration for her final art project, while also trying to distance herself from that persistent suitor.

That’s when the roses arrived. They filled her little apartment, both in space and scent.

With her”waste not” mentality, she couldn’t bring herself to throw them in the garbage.”They wouldn’t have fit in the dumpster anyway,” she says. At first, she and a friend went to Wiley’s Bar in downtown Sioux Falls and sold them to guys who didn’t need to buy in bulk because they already had girls at their side. She netted $180, but she still had a lot of roses.

“I just couldn’t throw them away,” she says.”I always loved roses. That’s probably why he sent so many.” She sat at home, surrounded by the flowers while also trying to imagine her final art project. It’s probably not shocking that she eventually brushed a rose against the canvas. She began to experiment with the flowers, not just as brushes but as elements within her paintings. She squished them and squeezed them. She broke boundaries.

Reiner’s work is inspired by, and sometimes made from, roses.

Kristine Reiner is now a burgeoning Sioux Falls artist. She works as a graphic designer by day, teaches evening art classes and just finished a mural commissioned by the city at Eighth and Main. She’s also a community activist.”I love Sioux Falls. It’s my favorite city,” she says, because she feels support, just as she did while growing up in Canistota.”Artists have such an opportunity here because anyone can meet anyone anytime. You don’t have to be someone to have a chance.” The people of Canistota are still helping her as well; Sue Baxa, who runs a restaurant in the historic Ortman Hotel, exhibits Reiner’s paintings on her walls.

While Reiner continues to create — with clay, screen printing and often still painting with roses — she also practices her creativity on social issues. When she learned that some South Dakota school children were”lunch shamed” (refused food because they owed lunch money) she and her sister Brandie started a nonprofit called Cathy’s Place to help families pay school debts.”We didn’t always have enough money for lunches and activities when I was a kid, and there were always people who helped us,” she says, particularly a lady named Cathy Steinmetz. They’ve created a Facebook page, and a website is coming. The nonprofit also helps teachers buy school supplies.

When the pandemic of 2020 forced Reiner to cancel her art classes, she used the free time to sew designer face masks. They became a hit with friends, and now she sells them on her website, kristinereiner.com.

The coronavirus also interrupted the corporate food chain, and she lamented the dilemma of farmers without a market. The crisis crystallized when her boyfriend, Damon Brown, learned that his family in Minnesota had been approached by the federal government for land to bury livestock that couldn’t be marketed. Together, they founded Cash Cow Co-op, an online directory that links farmers with families who want to buy local foods. They’ve already made connections across the Dakotas, Iowa and Minnesota.

All who like happy endings are wondering if Brown is the same guy who gave Reiner the 400 roses. He is not, but he shares her passion for making South Dakota a better place through creativity. What could be happier than that?

Editor’s Note: This story is revised from the January/February 2021 issue of South Dakota Magazine. To order a copy or to subscribe, call (800) 456-5117.

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Stella’s Paint

Amy Farley and Carrie Jenson are veteran furniture flippers. The two have been restoring pieces for over a decade, but when it came to painting their finished products, they were never quite satisfied. So in the summer of 2014, Farley and Jenson began experimenting. Their resulting line called Stella’s Paint has become a favorite for do-it-yourselfers around the Upper Midwest.

They started by simply going to Olson’s Ace Hardware in Beresford. They explained their vision for a high-quality, affordable paint and began mixing different bases and additives in their Beresford studio.”It took all summer to find the right combination so it wasn’t too clumpy, thin or chalky,” Farley says. The result is an extra flat paint that’s quick drying, adheres well to wood and is easy to sand for a more distressed look.

Stella’s Paint now comes in 20 colors, each named for a woman important in their lives (beginning with Stella, Jenson’s grandmother). Hues are added depending on current color trends (last summer brought a new charcoal gray). Their paint is available through 11 vendors in the Dakotas, Nebraska and Iowa.

Editor’s Note: This story is revised from the November/December 2016 issue of South Dakota Magazine. To order a copy or to subscribe, call (800) 456-5117.

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A River Town with Spirit

Our November/December issue includes a story on the clever characters in Springfield. The Missouri River town has been through more highs and lows than most South Dakota communities, but the overall effect has not squelched the town’s spirit or creativity. South Dakota Magazine sent intern Chloe Kenzy, editor-at-large Bernie Hunhoff and his grandson, Steven, to visit the folks who help give Springfield its unique personality. Here are some of Hunhoff’s photos that didn’t make the magazine.